Biography:
Mia Bergeron Growing up in New York City with two graphic designers for parents, I was always drawn to bold shapes and colors. Emphasis on patterns and design were household commonalities. However, in my early 20’s during my time spent in Italy, I began to become more fluent in the subtleties that the figure, as a subject, presented. By studying the classical discipline of painting figures and people, I began to notice the curious transformation that figurative art has taken over the centuries. I was fascinated with the figure as an ideal form. In contrast to this idealization, I was also studying classical portraiture, an art form that was tireless in its rendition of details and accurate observance.
Mia Bergeron Growing up in New York City with two graphic designers for parents, I was always drawn to bold shapes and colors. Emphasis on patterns and design were household commonalities. However, in my early 20’s during my time spent in Italy, I began to become more fluent in the subtleties that the figure, as a subject, presented. By studying the classical discipline of painting figures and people, I began to notice the curious transformation that figurative art has taken over the centuries. I was fascinated with the figure as an ideal form. In contrast to this idealization, I was also studying classical portraiture, an art form that was tireless in its rendition of details and accurate observance.
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